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Braided Channels of History Recording & Transcript - 68 - 01 of 02 (Text)

Item metadata
Speaker:
Trish Shirley Isabel
ns1:Recording_quality_control
Average
ns1:Recording_time_code
IN 00:00:00 OUT 00:18:04
ns1:author_artist
Trish FitzSimons
ns1:custodian
Griffith Film School
ns1:date
2000-09-03T00:00:00
ns1:disclaimer
Photographic stills found in the Braided Channels collection have generally been contributed by external creators. Copyright questions about external creator content should be directed to that creator. When publishing or otherwise distributing materials found in the Braided Channel's collection, the researcher has the obligation to determine and satisfy domestic and international copyright law or other use restrictions.
ns1:displayTitle
68 - 01 of 02
ns1:infile_date
3 September 2000
ns1:infile_notes
Timecode refers to tape 68_BC_SP Topics in Bold
ns1:infile_title
INTERVIEW WITH ISABEL TARRAGO & SHIRLEY FINN
ns1:item_description
Braided Channels of History Recording & Transcript - 68 - 01 of 02
ns1:keywords
Topsy Hansen Aboriginal Labour
ns1:notes
PTA refers to Part A of Tape 68
ns1:rights
Recorded creative work created by permission of the copyright holder. Copyright in individual works within this collection belongs to their authors or publishers.
Contributor:
Isabel Tarrago Shirley Finn
Description
Interview with Isabel Tarago and Shirley Finn. Part 3 of 4. Water damage evident. Change of DAT tape in middle of interview causes cut.
Identifier
68_BC_SP_PTA_TARRAGO_FINN
part of:
Title
Braided Channels of History Recording & Transcript - 68 - 01 of 02
Document metadata
Extent:
14478
Identifier
68_BC_SP_PTA_TARRAGO_FINN-plain.txt
Title
68_BC_SP_PTA_TARRAGO_FINN#Text
Type
Text

68_BC_SP_PTA_TARRAGO_FINN-plain.txt — 14 KB

File contents

So this is Betacam tape 68, it’s still DAT tape 24 and we’re on 1 hour 11
     minutes and 7 seconds. This is the third Betacam of an interview with
     Isabel Tarrago, nee Hanson, and Shirley Finn, nee Hanson, and we’re at
     Isabel’s house.                                   68_BC_SP

     So how was it, given that your parents didn’t get any cash except what went
     to the policeman, how was it that you two went to private schools? Because
     that would have cost dough.

20:01:13:10   Well, I often said this to Shirley too. It’s a mystery. I really
     don’t know the answer, Trish, but I tell you what, there’s more to it. My
     brother and my sister went to Brisbane Grammar School and that’s the most
     elitist school you could possibly go to and I think, from when we were
     talking, that my sister was the first Aboriginal girl ever to go to Grammar
     School, and my brother.       So all of us went to boarding schools.       So
     somehow, with … I don’t know. I can’t answer it. Our parents never told
     us. They wanted us to have the best education that they could possibly give
     us. They said, and it was very clear, we had to live in the white man’s world
     now and you had to use the tools that they use. And, you know, our father
     was a very ummm very astute man, and our mother, very hard-working, and
     they did have, you know, they had a lot of friends in the pastoral industry, a
     lot of friends. So I don’t know. I mean, we were there, we were all
     educated, we were very well educated.         We’ve all had jobs.      Never
     unemployed.

Do you think it might have been that the fees were paid … because the
     station owners couldn’t have paid your parents without upsetting other
     station owners, could they? Do you think it might have been the station
     owners paying your fees? What do you think? Where do you think the
     dough came from Shirley?
20:02:56:18    Collins and White? I don’t know.

I really don’t know. I think it’s just a mystery, you know. It’s hard to say.

One would hope that it is remuneration for the hard work that our family did.

That they did on the stations.

And I think, if that’s the case, then we’re pretty happy with that, you know,
     because four kids got highly educated out of a process where education was
     not the flavour of the month, you know, because we weren’t really into all
     that but …

And why were you two educated in Charters Towers, whereas your elder
     brother and sister came to Brisbane, do you think?

20:03:42:06    I first went to … first of all, before we were sent away to
     school, we were taught correspondence and then, because Mum couldn’t read
     or write but managed to keep us sitting at the table and did a bit of
     correspondence at the beginning, and I think it just got sort of hard for her
     and ummm with the help of the managers and ummm I think just sending us
     away was a lot easier. But, of course, then I went at six years old but Isabel
     didn’t go until she was …

Five.

… oh, yeah. Probably seven, I think, Isabel started.

But why Charters Towers?

Topsy Hansen

     20:04:31:20    Oh, because it was closer, because Brisbane was really a bit
     hard. Because Mum used to like bringing us back and I think she didn’t like
     … well, the train, you know, the station manager used to drive us into
     Dajarra and we’d get the train together. I think she enjoyed that, the train
     ride, because she actually was able to take us back to the school and settle us
     in and then do her other thing, because she was a great gardener, and she
     enjoyed … because the train, I know sometimes when she’d go home she’d
     have all these plants, all the cuttings and everything, people used to give her.
     But I think because our brother and sister went away to Charters Towers, it
     was a bit hard for her. Ummm Brisbane.

You said when I interviewed you before that you thought it was because
     Granny Brown was in Charters Towers.

Yes, she was.

That’s probably what I’m fishing for.

Yeah, yeah. Granny was. Yes.

She lived in Charters Towers, old Grandma Brown. But also the climate …

Yeah.

20:05:34:04     … too, probably, and a lot of ummm, a lot of kids from Boulia
     and the stations went to Charters Towers as well, because you’ve got ummm
     old Mr Katter’s sons. They both went to Mt Carmel College and I think, you
     know, they were from Cloncurry. I think it was just a close-knit where
     others were going.

Yeah. And, yeah, I think Granny Brown had a big influence because we
     used to go there for weekends and …

Yeah, and she’d come down to see her and, yeah, and you know take us out
     for the weekend.

Aunty                Yeah, and Uncle Doug, that’s the other eldest daughter.

I went to boarding school at eleven and I bawled my eyes out for three
     months but I can’t imagine doing it at five. Did you feel cut off from your
     parents and the land, or did you accept it?

20:06:38:08     Well because Shirley was there, I was all right. I had an elder
     sister at the school so I felt comfortable but I think when she left it got, you
     know, it got a bit hard for me too, because it’s ummm you’re on your own
     and then you just don’t get home or go anywhere, and I think one stage there
     I got so ummm anxious that I think Shirley and Mum had to come to
     Charters Towers and live for six months, which I remember.

Yes.

Because I just fretted so badly.

You said that your Mum didn’t read and write English but spoke five
     Aboriginal languages and was highly educated in traditional ways, do you
     think there’s a way that you got a white education at the expense of an
     Aboriginal one, or do you feel like you managed both bits? Do you know
     what I’m saying?

20:07:37:08      Yeah, I know what you’re saying. Ummm they were very
     strong traditional teachers. We, I mean, this façade that you’ve got in front
     of you now, it’s very traditional. My mother spoke, and we learned a lot.
     Ummm we can’t practise it here but still today our aunties and that come
     from Boorooloola. At                           they came down and they just
     ceremony and that in the house and we can, we can move into cultures very
     comfortably. Because we don’t speak the language all the time, but if you’re
     sitting around long enough, it comes back. Not as fluent. It’ll come back
     because we learnt it as small kids, small, and you don’t forget that. But, yes,
     I regret that I can’t sit down and speak a fluent language and ummm that’s a
     compromise, I think Trish, we had to do because that’s what my father was
     talking about. We have to live in the white man’s world now and he always
     said you’ve got to be twice as better than them. And we’ve always been like
     that, you know, you have to strive but that didn’t sacrifice our traditional
     values because I think Avalina is very, very instilled and Shirley’s young
     girl, Jackie. I mean there’s a choice there as well because there’s so much
     that you have to hang on to and it is very difficult because you’ve got to step
     in two worlds.

Clearly your parents were both skilled at stepping across those two worlds.

Mmmm.
Yes, that’s right.

One argument could say you two are doing it just with a different balance
     and I’m interested in that.

20:09:36:20    And I do regret, but I do think that Shirley and I are heading
     back home. I mean, we’re just down here, and I always say I’m down here
     on someone else’s ground. I don’t feel comfortable, Trish. I need to go
     home where my spirit and my soul and my beliefs are stronger. And I think
     that’s coming because … it’s taken us a long time but you don’t have a
     choice in your process, I think, if you really want to get somewhere today.
     You have to really educate your kids and yeah, but I think that I can learn the
     language               like my Mum and Dad. You know, I can get back
     there because my family is still speaking it. We haven’t lost it. It’s still,
     ceremonies are going in the … you know, women’s and men’s ceremonies
     are going, it’s just that we haven’t attended. But they don’t forget us.
     Ummm but you still can gain it. It’s when it’s lost, completely demolished,
     that you can’t go back to anything, but I guess that’s what keeps us going
     because we’re very strong black women.

I’d like to hear now, from each of you separately, the story of your family
     leaving Glen Ormiston. What you remember, what stage you were at in your
     life, what you remember hearing. And we talked a bit about it before but I
     think it’s important. So Isabel, you first. How did your family come to leave
     Glen Ormiston?

Race Relations/Women

     20:11:10:04    Well I believe that ummm when Martin Hayward, the
     manager, brought in a woman by the name of Mary Robbins to take over the
     role of my mother, my mother politely said to Martin, who had been with my
     Mum for a long time, ummm ‘That’s it’. She saw the writing on the wall.

Yes, that was virtually it. Ummm you, Mary Robbins came ummm, ‘Topsy
     you take a holiday now, I’ll do the cooking’ and Mum turned around and
     said, ‘I’ll be taking an extended holiday’ and we packed the truck up and
     away we went. They never looked back.

Did you know at the time? I’ve got goose bumps. Did you know at the time
     that this was a really significant event?

Well, I thought ummm …

I was too young.

20:12:30:10     After cooking on a station for twenty-eight years ummm and
     running the station when the manager was away that a woman should come
     in and say to the person, you know, ‘You take a holiday’ and, as Mum felt
     then, she wasn’t wanted.

And why wasn’t she wanted? Why do you think that happened?

20:13:09:06     Well, there was a relationship building with this manager who
     didn’t have a wife and this woman who left her husband. I mean, don’t
     forget that we knew the background history – well not me – but my family
     knew the background history because this woman was the woman that took
     my elder sister away in Roxborough and left her in Cloncurry, so there was
     no love lost with my mother and her, because she wanted to come back to a
     station life and Martin, I thought, did a very dishonest thing there and just
     said, ‘Well, Topsy, if that’s the case …’

‘And you take a holiday.’

Gender Relations

     Yeah. And it also, it didn’t even get … it wasn’t only my mother, it was my
     father who really had never lived in a city, whereas my Mum was a very
     flexible person, very flexible woman. But my Dad was never. He lived all
     his life on a cattle property and the minute we brought him into a town
     situation, he just crumbled. So they really destroyed ummm a life ummm
     very quickly.
So did your Dad … I mean, Mary Robbins was coming to take your mother’s
     job but did your Dad, would he have still had a job?

20:14:42:02   He went back. He left with us ummm and then he went back
     to Glen Ormiston but could not work there under the conditions, whatever
     those conditions were. Ummm and he came to us, he came back to Mt Isa to
     us there, and then he went to a place called Marquar Station and …

Uncle Davey Brown.

Dave Brown.

Granny’s …

That’s one of the sons. And ummm he worked there right up until he died.

So in the end for your family, then, do you think it was more … how did the
     equal pay story relate to the Mary Robbins thing, do you know?

Didn’t come into it. Didn’t come into it. Ummm I would say, you know,
     Martin                                   She ended up with, he ended up with
     her eventually when he retired in Charters Towers, and he was a great friend
     of, you know, our Mum’s.

Yeah, he was a great friend of the family.

Family. Great friend. But, I mean, they didn’t want to do anything. I mean,
     you could have probably taken it further but what’s the point? Ummm it was
     one of those things that …

And all the Aboriginal people in the camp at Glen Ormiston?

20:16:10:00   They had gone. They had gone prior to that. They were just
     ahhh some of them were just moving away and not coming back. Eventually
     there was no camp at all and you only had the Aboriginal workers ummm in
     the ummm in the camp there – the ringers ummm all the stockmen.

And what was driving that process from the Aboriginal end, do you think?
     Why …
Why me?

Were they being made less comfortable or …?

20:16:39:00    Yeah, equal pay. They would have had to cater, under the
     Human Rights, from the Wavell Hill, under Human Rights and Protection on
     equal pay, they would have had to, you know, either organise social security
     … it was just a minefield. So there was a lot of connotations to keeping
     Aboriginals on properties.       They would have had to feed them and
     administrator, you know, the money and do all that sort of thing. So it
     became such a minefield. It was a lot easier under the Act. The station, you
     know, the police stations could manage that but under real issues, it was best
     to have any, you know don’t have any of them there. And I think that made
     a big change. The dynamics changed ummm for Aboriginal people and we
     started, I guess, you know, started talking about how indigenous people made
     the pastoral industry because there’s a big gap between ummm what they
     were paid in ration, and I think some got paid as a wage, but not many. I
     think if there was an evaluation done around the ridges, you know around the
     communities now, to see exactly how many people did get it, there’d be very
     few.

Well I remember in a book by Ruby de Satge she talked about being paid as
     a drover but then told that when she was on stations she mustn’t let the
     station Murris know she was paid or it would create trouble so you can get
     the sense of …

Yeah.

… a lot of subterranean stuff.

Yeah, yeah.

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