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Braided Channels of History Recording & Transcript - 65 - 01 of 02 (Raw)

Item metadata
Speaker:
Sylvie Julie Trish
ns1:Recording_quality_control
Average
ns1:Recording_time_code
IN 00:00:00 OUT 00:18:12
ns1:author_artist
Trish FitzSimons
ns1:custodian
Griffith Film School
ns1:date
2000-08-30T00:00:00
ns1:disclaimer
Photographic stills found in the Braided Channels collection have generally been contributed by external creators. Copyright questions about external creator content should be directed to that creator. When publishing or otherwise distributing materials found in the Braided Channel's collection, the researcher has the obligation to determine and satisfy domestic and international copyright law or other use restrictions.
ns1:displayTitle
65 - 01 of 02
ns1:infile_date
30 August 2000
ns1:infile_notes
Timecode refers to tape 65_BC_SP Topics in Bold
ns1:infile_title
INTERVIEW WITH SYLVIE DUNCAN-KEMP
ns1:item_description
Braided Channels of History Recording & Transcript - 65 - 01 of 02
ns1:keywords
Race Relations Duncan-Kemp
ns1:notes
PTA refers to Part A of Tape 65
ns1:rights
Recorded creative work created by permission of the copyright holder. Copyright in individual works within this collection belongs to their authors or publishers.
Contributor:
Silvie Duncan Kemp
Description
Interview with Sylvie Duncan-Kemp. Part 2 of 2. Water damage evident. Some cuts during interview. Timecode break near end.
Identifier
65_BC_SP_PTA_DUNCAN-KEMP
part of:
Title
Braided Channels of History Recording & Transcript - 65 - 01 of 02
Document metadata
Extent:
15051
Identifier
65_BC_SP_PTA_DUNCAN-KEMP-raw.txt
Title
65_BC_SP_PTA_DUNCAN-KEMP#Raw
Type
Raw

65_BC_SP_PTA_DUNCAN-KEMP-raw.txt — 14 KB

File contents

                INTERVIEW WITH SYLVIE DUNCAN-KEMP
                              30 August 2000
                     Timecode refers to tape 65_BC_SP
                              Topics in Bold
                    TF = Trish SD = Sylvie JH = Julie

TF   You’re going to change tape. So this is Tape 65. It’s still DAT Tape 23 with
     13.39 through the DAT Tape.            Um and this is the second Betacam
                                                                          It’s the 30th
     interviewing Sylvie Duncan-Kemp in her house at Oakey.
     August. Trish FitzSimons on sound. Julie Hornsey on camera. 65_BC_SP

TF   Um – oh, I’ve forgotten my thread for a minute. So did your Mother talk much –
     in Pam’s books, book – and in your Mother’s books, there’s some discussion of
     the way that the Duncan’s changed the way they lived on the land, according to
     what Aboriginal people wanted.

SD   Mmm. Mmm.

TF   Did your Mother talk to you much about that?

SD   17:01:35:10    In bits and pieces I think. We found out that um she knew a lot
     about um where to find different plants and, and things like that. And she used to
     go out. She used to tell me that she’d go out with the, with the blacks when they
     went out on their hunting trips and yeah – said with the gins and mmm.

TF   But I guess the stuff as well – I’m interested in is – you know I gather that
     Mooraberrie got sited in a particular place because that’s what the Aboriginal
     people wanted and for parts of the year, they would tell your Mother’s family, I
     gather, you know, they couldn’t go to the particular parts of the property and that
     sort of thing. I wondered if she ever talked to you about that?

SD   No. Not to me.

TF   No.

SD   No.
TF   So her writing was very private then?

SD   17:02:31:06     Oh definitely. Very much so. Yes. Dad had nothing to do – none
     of us had anything to do with it and my father certainly didn’t either. Not that I
     know of anyway.

TF   So did you resent that Writing Room that took your Mother away?

SD   17:02:45:06     I could have but not um – sub - subconsciously I suppose I could
     have, but I don’t really think so. It was just something that she did and um it was
     part of life and that – yeah. Besides we were too busy doing other things.

TF   And when the books came out, would you get caught up in kind of publicity or, or
     was it all very low key?

SD   17:03:10:00     Well I don’t remember when the first one came out in 1939. I
     don’t remember anything much about that at all, but I do remember when Strange
     Paths came out, when it was published by Angus & Robertson, Mum was very
     disappointed.

TF   That was ’61 I think.

SD   Yeah.   Mum was very disappointed in Angus & Robertson – the way they
     published it, and she thought they were very mean. Yeah.

TF   What was she unhappy about?

SD   17:03:39:00     Um – I think the whole, the whole kit and caboodle. When you,
     when you, when you, when you compare that publication with the publication by
     Mr Smith from Smith Patterson in Brisbane, there’s no comparison. Although,
     mind you, Mr Smith put in a lot of um stuff that had nothing to do with the book.
     But, you know, photographs and things like that. But ah yes, he certainly made a,
     a much better um job of publication and Angus & Robertson, I think, were of the
     opinion that they – I don’t know whether they really believed her or not – I know
     The Sydney Herald didn’t. She got a very – very nasty um crit from The Sydney
     Morning Herald. It couldn’t poss – a woman – a woman couldn’t possibly know
     anything about you know, what she – what she was writing about. Yeah.

TF   It is interesting that what your Mum was writing about was – that she goes back
     and back to the same period –

SD   Mmm. Mmm.

TF   In the past. And that when she writes the first book, she hasn’t been out to
     Mooraberrie for, for 15 years or whatever.

SD   Oh yeah. Long time. Long time. Mmm.

TF   So what – what role? You know, why do you think your Mother needed to write
     these books?

SD   I wouldn’t have a clue. I really don’t know. But I think probably it was just
     something that she had to get out. Excuse me.

TF   Do you need to –

SD   No, I’ve got – I have asthma and, and every now and again I have to cough.

TF   Well that’s fine. That’s fine. Um – and do you think there’s any relation between
     – like how, how many times did you Mother go to Mooraberrie between when she
     left it to get married and when she died?

SD   ’39, ’43 – that was it – that I can remember. Mmm.

TF   And so it’s – there’s – at one level, it’s unusual that she’s writing, writing and you
     know, writing such detail –

SD   Mmm.

TF   About somewhere that goes back to her childhood. Um, did, did any irony of that
     ever strike her? Or um –
SD   17:06:04:16    No. It just seemed to flow out of her. Excuse me but I’m going to
     have to –

TF   Yeah. And do you think, did your Mother ever – do you think she ever wrote
     about anything other than Mooraberrie? You know, was – did she have um an
     identity as a writer beyond Mooraberrie or –

SD   17:06:40:04    I don’t, I don’t know. We, she did have a, she did write a sort of a
     novel I think called Ryan – Rising or something but um she never – I don’t know
     whether she submitted it or not. But I think we found it in her – in all the copious
     bits of paper that were left – oh, you no. There was a drawer full in her dressing
     table in the other house and we’d had a mouse plague, and it was just shredded.
     Just a drawer full of mouse. Yeah. Terrible. So I ah I don’t know what was, you
     know –

TF   So why do you think she was writing about Mooraberrie but not actually kind of
     going there? You know? Like what was that connection between a place that
     she’s remembering and remembering but, but not ….. ……

SD   Alice Duncan-Kemp

     17:07:04:20    I think, I think it all stems from her father. When her father was
     alive, he and Mum did everything virtually together. Yeah. And I think it was he
     who introduced her to the Aborigines and um because he was – if some of the
     tribes around there couldn’t agree – they had a, you know, having a disagreement
     or anything, they’d always go and ask Duncan, as they referred to him as, and,
     and he um, if he um suggested they do it this way or do it that way or you know –
     um, said they should, it should be this or should be that, they agreed to you know,
     abided by what he said. Mmm.

TF   And he died, but what connection is there then to, to her not going back there?

SD   17:08:37:10    I don’t know. I don’t know whether Grannie resented the fact that
     the, the, the only boy in the family died and she didn’t. I know they didn’t get on.
     And um and she, I think she just sort of went away. Like a lot of Aborigines do.
     They just go away. When they go away to die, they just go away. Yeah.

TF   This is, it’s out of time –

SD   Mmm.

TF   But it’s interesting that your Mother, that her ashes are not at Mooraberrie, isn’t
     it? Did you discuss that with her?

SD   I don’t know, but I suggested to David that we take them to Mooraberrie and he
     said no. That they were to go to be with Dad and Bill. Mmm.

TF   So you don’t remember your Mum expressing an opinion about what she wanted?

SD   17:09:43:20     No. And um there was a great kerfuffle too when Aunt Laura died.
     Um before – well before she died, David asked her what she wanted, because he
     knew she, she wanted to be cremated. And um he said what do you want done
     with your ashes? Do you want them to go back to Mooraberrie or do, do you
     want to go, want them go into St Mary’s, Kangaroo Point with Grannie’s. And
     she said oh, I don’t know. Oh I suppose. Better go back to Mooraberrie. And of
     course that caused quite a ruction when she did die and um and the Gallagher –
     Aunt Trixie wanted them to stay in Brisbane. Mmm. But David stuck to his
     guns.   Yeah.     So that was another reason why we didn’t get on with the
     Gallaghers.

TF   And how would you describe your Aunt Laura?             What was she like as a
     character?

SD   Laura Duncan II

     17:10:48:06     Um – a bit like me actually. So I’ve been told. Um spoke her
     mind and um she was bossy. Mmm. And she was, she was the boss. Yeah. And
     she was Miss Duncan of Mooraberrie. Very definitely. Yeah.
TF   People describe her as being very elegant as well.

SD   Yes. She always dressed very smartly, even if she was only in a pair of old
     overalls and um riding boots. Mmm. Yeah.

TF   It’s interesting. Obviously in, in literary circles and although it seems like your
     Mum’s books got sort of forgotten for a while and –

SD   Mmm.

TF   Perhaps are being found again. But in literary circles, it’s Alice Duncan-Kemp,
     that is associated with Mooraberrie.

SD   Mmm.

TF   Out in the Channel Country, it seemed like they –

SD   It’s Laura.

TF   …… it’s Laura.

SD   Mmm.

TF   And they didn’t necessarily pay a lot of attention to your Mother’s presence.

SD   17:12:10:00    No, because Mum wasn’t ah well I – yeah, probably. But then
     Mum didn’t live out there either. And I think that’s, you know, if, if she had lived
     there, I mean she was um round Winton she was better known. Mmm.

TF   What was she known for around Winton?

SD   17:12:33:14    Um, well she used to ride. I know when we were at the farm here
     at Jondaryan, she used to ride in um get on one of the horses and ride from the
     farm through Jondaryan into Oakey and then back again. In a day. Right – I
     suppose, I don’t suppose it’s very far but yeah. She was riding my pony Jenny
     one day and – she was crossing the Oakey Creek at Jondaryan homestead and
     Jenny had had enough so she laid down in the water. And Mum thought the horse
     had had a heart attack and it was, it wasn’t. It was just Jenny saying I’ve had
     enough.        17:13:14:14

TF   And in a way, like your Mother has – (interruption)

SD   Than she was in, in the house. Yeah.

TF   Except when she was riding – writing.

SD   Mmm. Mmm.

TF   In the way, in your Mother’s books, she has such sort of loving descriptions of the
     environment.

SD   Mmm.

TF   Did she have that kind of relationship to the environment she spent her adult life
     living in? Like would she have known all the plants and animals and um?

SD   17:13:58:10    I think she was always interested in, in um things like that. I can
     remember when she was living at David’s. Um she used to live in the old garage
     actually. And um these two little mice came in to drink the cat’s milk, so she got
     out of bed – I don’t know, it must’ve been about – early in the morning, and she
     got out of bed and lay on her tummy and watched them. Lapping milk. These
     two little field mice. Yeah, but she was like that. Yes.

TF   So she was happy to be eccentric?

SD   17:14:36:08    I think she – yeah. I think she related, a bit like me, she related
     more to animals than to humans. Mmm. Because I think, somewhere along the
     way, human beings let her down. Yeah.

TF   And would that fundamentally have been when you say that you’re talking about
     her relationship to her Mother?
SD   Mmm. Mmm. Because she was very poorly treated by both Grannie and Aunt
     Laura in certain ways, particularly monetarily.

TF   You’re talking about the inheritance –

SD   Mmm.

TF   And how the estate?

SD   Mmm. Mmm.

TF   Went.

SD   17:15:13:20    Yes. And Aunt Laura said once to Grannie that she didn’t know
     why Alice was kicking up such a fuss. All, that all she wanted, she herself
     wanted, was Mooraberrie. Mmm. Yeah.

TF   And how about your Mother’s relationship to Aboriginal people? Like, in her
     books she’s writing very much of, of a dependence and an interdependence and
     friendship with Aboriginal people. How did that get played out in her, in her later
     life?

SD   17:15:49:18    She didn’t come into contact with any that I know of. Not even
     around Winton. They’d all gone. See the Ab – what they call, what they call
     Aborigines today, the majority of them would not have survived back in the old
     days. The Aboriginal elders were very strict about that sort of thing and um a lot
     of the gins were either um kicked out of the tribe altogether and the children were
     – the children – the result of um a union between a white man and a, and an
     Aboriginal woman, were either taken away and disposed of or just left out to die.

TF   So are you saying that your Mother didn’t regard half – half Aboriginal people,
     part Aboriginal people as Aborigines?

SD   17:16:50:06    I don’t think – I don’t think that’s um I don’t think that’d probably
     be right but I don’t think she, she just sort of regarded them as, as human beings.
     Mmm. Because she always used to say the poor old Abo. You know, he’s gone.
     Mmm.

TF   And – she was quite involved with anthropology, wasn’t she?

SD   Mmm. Mmm.

TF   Do you want to talk a bit about that?

SD   17:17:19:22    Yes. This fellow Winterbottom. I think he diddled Mum out of a
     lot of stuff. She had cases and cases of Aboriginal spears and woomeras and
     collamons and things like that, and she sent them down to him to be put in the
     Museum. And um I don’t think they ever went to theMuseum. I think they – ah
     we don’t know what happened to them. David took them down from Donald
     Downs but nobody knows exactly what happened to them.

TF   So Winterbottom – who was he exactly? And yeah.

SD   17:18:00:20    I think he was ah God, I don’t really know.       Better not say
     anything. I might be had for – for libel or watchamecallit. Slander or something.
     Yeah, slander. Um – whether he was part of the Queensland University, I don’t
     know. I’m not sure now. But um she used to um converse with him and
     correspond with him a lot.       And um she had always been interested in
     anthropology. I think she would have liked to have had the opportunity to go to
     university I think and study anthropology. She was a great believer in Margaret
     Mead who has since been um mmm, shown to be beyond the pale, if you like?
     Mmm. But it always was one of her pet subjects.

TF   And how about Aboriginals?

JH   … battery’s gone so ….

TF   Maybe there’s a story in one.

SD   You’re running out of batteries. You know, maybe – time to go home. Oh dear!

http://ns.ausnc.org.au/corpora/braidedchannels/source/65_BC_SP_PTA_DUNCAN-KEMP#Raw